Art by Amir Khadar in collaboration with TGI Justice Project. Feel free to download this piece of art and many others here.
Today is Transgender Day of Remembrance (TDOR), a day to honor and lift up the lives and memories of trans and gender non-conforming people who were taken from us due to anti-trans hate and violence.
Not only this day, but every day, we ask you to join us in grieving our beloveds.
Not only this day, but every day, we ask that you to join us in making a life-long commitment to keeping each other safe–our selves, our trans and gender non-conforming friends, family, neighbors, and community members.
Not only this day, but every day, we ask that you fill your heart with love and send it to each and every trans and gender non-conforming person of color, particularly trans women of color and explicitly, black trans women.
To those lives that were lost, your magic is felt and we honor you. In your absence your light persists within all of us. And in your memory we fight for justice and liberation so that one day we might all be free.
As we honor those who we’ve lost, we also encourage you to support the trans justice that exists today, in whatever way feels right to you. You can find a trans-led group in your local area and volunteer or donate to their work. You can find grassroots trans-led groups doing transformative work on our digital map here, or you can see a list of all of the 2018 TJFP grantees here and donate to them directly.
Here’s a great opportunity to support a film written and directed by a Navajo trans woman AND TJFP’s upcoming award that will make grants to Native American/Two Spirit groups and organizations in the US working for trans justice.
Mark your calendars for Tuesday, September 26th and bring yourself, a friend, or a group to support the debut of Drunktown’s Finest!
We’re hoping to pack that HOUSE!
Tickets can be purchased at the door or online.
More about the film:
Writer and director Sydney Freeland was born and raised on a Navajo reservation in Gallup, New Mexico—dubbed “Drunktown.” The disconnect between her experiences and the media’s portrayal of reservation life compelled her to create last year’s Sundance success, Drunktown’s Finest. The narrative feature offers not one, but three harrowing interwoven tales of loss and triumph at or around a reservation in Drunktown. Felixia, a trans woman, pursues a spot in the “women of the tribe” calendar. Sick Boy confronts violence and drug abuse. Nizhoni seeks out her past, well after being adopted by a white family. At its core, the film represents the ongoing search for identity and Freeland’s desire to more honestly portray reservation life. View the full article